Jan Olof Bengtsson

Live 1991. From The Yes Album (1971). Their first and best-known antiwar anthem (see Martin , 67-8).

From their album Animals (1977).

The full, one-song album (1972). In an important interview with Prog , Ian Anderson explained the meaning of and the intentions behind this album, one of prog’s truly classic masterpieces, which had always been more or less misunderstood. But characteristically, he still to some extent seems to misunderstand the nature and significance of the emerging new genre of progressive rock. Indeed, not least through the to a considerable extent irrelevant comparisons with Weather Rep

Live 1982. From their album Deceptive Bends (1977). 10cc var ett något märkligt fenomen på 70-talet, men ett tidstypiskt sådant. Förutom “art rock” finns utan tvekan också något sådant som “art pop” och t.o.m. “progressive pop”, och det är dessa två senare kategorier som utgör det intressanta hos dem. De tillhör de många som ibland tangerar progressive rock och därför, med min generösa definition, här ibland räknas till denna kategori, trots att mycket hos dem går över gränse

From their album Red (1974). This was originally intended to be the title track of their previous album, Starless and Bible Black , which was released earlier the same year, but was considered insufficiently developed at that time and hence included instead, with a shortened title, on Red.