- 27 sep.
Jag talar på det s.k. Ljunglöfska slottet i Blackeberg i slutet av augusti till drygt 30 av de närmaste under mammas informella borgerliga ceremoni och minnesstund:
Tack till kusin Henrik för bilden.
And the Eight Revolutions that Could Lead to Decolonization and Coexistence
Beacon Press, 2025
Publisher’s Description:
A renowned Israeli-British historian argues Israel is fracturing, and considers the issues that must be centered for a peaceful future for Palestinians and Jews alikeIn this timely book, historian Ilan Pappé argues that with the 2022 election of the most right-wing government in Israel’s history, the October 7 Hamas attack on Israel, and the subsequent Israeli war on Gaza, political fractures inherent in the Jewish state have expanded dangerously – and will potentially lead to Israel’s collapse. With the goal of working towards a transition that is as peaceful as possible, Pappé sets out his thoughts about the risks and opportunities emerging from this historical moment.Eight “mini-revolutions,” he argues, will be necessary for this more hopeful future to emerge, including:
– Relocating the Right of Return of the Palestinian refugees to the center of the future vision;
– Establishing a new definition for the Jewish collective in historical Palestine;
– Finalizing a plan for the future of the Jewish settlements built in the West Bank since 1967; and
– Creating a new strategy for a united Palestinian national movement.
Pappé concretely envisions a more just future – a democratic decolonized state for both Palestinians and Israelis – and how we might get there.
About the Author:
Ilan Pappé is a professor of history at the College of Social Sciences and International Studies at the University of Exeter in the UK and the director of the university’s European Centre for Palestine Studies. His books include The Ethnic Cleansing of Palestine, Ten Myths About Israel, and A History of Modern Palestine. He writes for the Guardian, the London Review of Books, and elsewhere.
“A bracingly principled and hopeful blueprint for the future.”
Publishers Weekly, Starred Review
“Ilan Pappé supplants slogans for a single democratic state with a detailed program comprising eight mini-revolutions. This is a bold undertaking and offers abundant ground upon which to debate a vision and transform it into a program. Even, and especially, for those in disagreement, Israel on the Brink offers a point of departure to take seriously the work of decolonization.”
Noura Erakat, author of Justice for Some: Law and the Question of Palestine
“Ilan Pappé’s Israel on the Brink is a tour de force, essential reading for anyone who seeks to understand the disintegration of the Zionist project and its consequences. Pappé, one of the foremost scholars on the Israel-Palestine conflict, has authored a series of groundbreaking and important books. This one is no exception.”
Chris Hedges, Pulitzer Prize–winning former Middle East bureau chief for the New York Times
“When you think that everything that could be said has been, Ilan Pappé provides this eye-opening, original, and, most importantly, hopeful book.”
Eyal Weizman, author of Hollow Land: Israel’s Architecture of Occupation
JOB’s Comment:
Other Israeli historians’ old criticisms of Pappé cannot but seem very much less convincing in light of the last two years’ massacres and genocide in Gaza.
The full, one-song album (1972).
In an important interview with Prog, Ian Anderson explained the meaning of and the intentions behind this album, one of prog’s truly classic masterpieces, which had always been more or less misunderstood.
But characteristically, he still to some extent seems to misunderstand the nature and significance of the emerging new genre of progressive rock. Indeed, not least through the to a considerable extent irrelevant comparisons with Weather Report and Mahavishnu Orchestra, he underplays what it was all about, what it was developing into in the early 70s. This is unwarranted also with regard to his own and Tull’s brief, more purely prog period, of which this album is the pinnacle. He short-sells himself, the band, and the remarkable achievement that this period represents.
At the same time his misconception must clearly have to do with the fact that even at this time, Jethro Tull did not quite represent the fully distinctive, independent and deliberately and consciously developed prog of the kind that Genesis, for instance, had by then already attained. Only this album – considered as an objective result, irrespective of Anderson’s own understanding and intentions – reaches the same level. I.e., only on this album is it possible to hear clearly what this genre could be further developed into.
